The idea has often been advanced that that almost no one ever parried with their edge in combat in Chinese swordplay. One type of evidence presented for this is that there is, supposedly, no evidence of edge damage from parries on historical examples of Jian that exist today. Which leads us to these questions: Why… Continue reading Can you tell how people parried from edge damage?
Category: Historical Martial Arts
The Fist Verses of Qi Jiguang (Redux)
At times I go back at my previous translation work and try to update them with any new information or insight I have had since my last attempt. This was one of the first translations I published and I thought I would give it a little spruce up and tighten the edges. There are a… Continue reading The Fist Verses of Qi Jiguang (Redux)
Katana to Dao part 3: Men of Letters, Arts of War
The Ming Dynasty (大明 1368 to 1644) is a fascinating time period in history. So much change happening on the global stage, the effects of that change have had huge ramifications for people living in the Ming Dynasty and the events happening in China had wide ranging effects on world at large. For Chinese martial… Continue reading Katana to Dao part 3: Men of Letters, Arts of War
Whats in a name? The Zhan Ma Dao as a Category 斬馬刀作为一个类别
A few years back, I made response to a historical based YouTube video about the Zhan Ma Dao斬馬刀 as it related to the Japanese weapon the ZanBato (meaning the same thing). The consternation was caused by a description of the weapon’s supposed use in battle. A use, it seems to me to be wholly fantasy.… Continue reading Whats in a name? The Zhan Ma Dao as a Category 斬馬刀作为一个类别
Katana to Dao: Part 2-Qi Jiguang
(please see part one here: Saber and Coin) In 1523, two tribute fleets from two rival Japanese seafaring clans arrived at the port city of Ningbo寧波 in North Eastern China. The coastal city had been designated the port of entry for all Japanese tribute missions and was the one place the Bakufu-幕府 of Japan could… Continue reading Katana to Dao: Part 2-Qi Jiguang
